Emotion attempts to actualize affect by putting it into words.
Queer graffiti's capacity to affect other matter is enhanced because it exists both in virtual duration and as an actual object. Please select your reason for reporting Deleuze and Guattari define assemblages as the gathering of any number of things or moments into a single context. Wanking off someone at the cubicle didn't count.
I consider the materiality of bathroom graffiti and explore how queer inscriptions, architectural structures, manufactured materials, discursive practices, and human bodies are entangled phenomena with agential capacities.